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Preserving Atlanta's Canvas: Art Conservation Along the Beltline

Conservator Jeremee Prioleau has spent the past four years preserving the Beltline’s public art, bridging restoration with community connection.

  • Arts & Culture
APRIL 24, 2025

As spring sunlight filters through the trees along the Atlanta Beltline, Jeremee Prioleau carefully examines a mural, assessing areas where weather exposure and time have begun to take their toll. For the past four years, this artist-turned-conservator has been a quiet guardian of the Beltline's extensive public art collection, preserving not just materials, but the cultural expressions that have become integral to Atlanta's neighborhoods. 

"Bringing something back to life is what's the most fulfilling thing about it," explains Prioleau, whose journey to art conservation began unexpectedly. After college, a chance meeting with Camille Russell Love from the Office of Cultural Affairs led to an internship in arts administration. There, under the guidance of Shannon Kimbro, he discovered his passion for conservation.  

"I was just drawn to it being an artist myself," Prioleau recalls. "Getting to go outside and work on these legendary pieces of art made by these legendary artists was very fulfilling." Since joining the Beltline team in 2021, his days involve traversing the trails, cataloging artwork, and determining how to best preserve each piece. 

Conservation work along the Beltline varies in complexity. Sometimes a mural simply needs pressure washing to remove dirt and wear. In more challenging cases, restoration requires careful work and an artistic eye. “The most complex thing is repainting graffiti with no protective coat”, says Jeremee. “I use an old picture of the mural and basically mimic the artist’s style”.  

Respect for the original creators is central to Prioleau’s process. Before restoring any piece, he contacts the artist. "I try to get their information and let them know I'm a conservator," he says. These conversations often include technical details about paint and materials to ensure the restoration aligns with the artist’s original vision. 

As Prioleau walks the Beltline, he sees how the artwork transforms the corridor into an immersive cultural experience. "Seeing art publicly has this ability of transporting you away from everyday normalcy," he explains. "Even when you can't go to Atlanta Contemporary or the High Museum, you can just take a stroll in your backyard and see all this amazing art–the voices of all these different people in your community right there on the wall or in a sculpture."  

These works often serve as community landmarks, becoming a part of daily life. “They become ingrained in the community and part of people’s memories,” he notes. That connection fosters a sense of ownership, with residents often serving as informal stewards who help protect the art around them. 

Prioleau also mentors the next generation of conservators. Last year, he led a workshop for students from the Atlanta University Center, guiding them through techniques on pieces like Barry Lee’s I on U and Jenevive Reid’s Regrowing Atlanta. "Getting to talk to students about art conservation who would’ve otherwise never heard of it–like me when I was in college–was very rewarding,” he reflects. As a young Black professional in a field with limited diversity, his work with students from historically Black colleges and universities helps ensure future conservation efforts will benefit from varied perspectives.  

Through Prioleau’s care, the Beltline’s public art collection continues to thrive– celebrating diverse voices and keeping these creative expressions a lasting part of Atlanta’s landscape for years to come. 

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